Donovan

• ArWiki

İçerik akorların, tabların, bas tablarının ve sözlerin ayırt edilebilmesi için seçimlerinize göre renkli listelenmektedir.

Alamo

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From ohig@ihug.co.nz Wed Apr  2 08:51:55 1997
Cc: guitar@olga.net

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^@^@^?^?^?^?^@	^B^@^@^@^@^@À^@^@^@^@^@^@F^\^@^@^@Microsoft Word 6.0 Document^@
^@^@^@MSWordDoc^@^P^@^@^@Word.Document.6^@ô9²q^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^B^@¤^D´^@^@^@^B^@p^HU^@^@^@^B^@U:^@^@^@^B^@d^F|^@^@^@^B^@E
Ş^@^@^@^B^@^Cw^É^@^@^@^B^@òA	^@^@^@^B^@^Ùq^@^@^@^B^@8+k^@^@^@^B^@^]?l^@^@^@^B^@öl^Ì^@^@^@^C^A b^F^@^C^@^C^A?^Ê^A^@3^@^C^Aå^Ì^A^@4^@^B^@	^Á0^@^@^@^B^@ÀY^Q^@^@^@^B^@!P^Ñ^@^@^@^B^@Ws±^@^@^@^B^@<
Ò^@^@^@^B^@ıvr^@^@^@^B^@/.^R^@^@^@^B^@^SP^S^@^@^@^B^@^?zS^@^@^@^B^@¾v^T^@^@^@^B^@'g´^@^@^@^B^@^ÁsU^@^@^@^B^@ ^Å^V^@^@^@^B^@~OV^@^@^@^B^@!kX^@^@^@^C^AP^Ê^D^@B^@^B^@Ês^Y^@^@^@^C^Aï^Ì^D^@D^@THE ALAMO    Donovan Leitch

Im not really sure if Donovan wrote this as I have only heard him sing it and I have not seen it on any records.

The words are from memory and the chords are my own interpretation of the song. Hammering on and off strings on the F chord will give the required sound.

C                              G           C                                     F                  C
Eight hundred and eighty he challenged the travellers to die,

C                          G                   C                 F                  C
By a line that he drew with his sword as the battle drew nigh,
           F                                       C
Ev^Òry man that stepped over the line was for glory
         F                                C
And he that was left better fly,
C                    G                          C              F           C
For over the line stepped one hundred and seventy nine.

Chorus

F                                                                           C
Hey  at Santa Anna  they^Òre killing our soldiers below
             F                           C
So the rest of  Texas will know,
           G                      C
And remember the Alamo

C G C F C G C

Jim Bowie lay dying his blood and his powder were dry

But his knife had been willing to take him a few in reply

Young Davey Crockett lay laughin and dyin

The blood and the sweat in his eye

For texas and freedom a man was more willing to die

Chorus
Gary Higgins Ohig@ihug.co.nz
^@^@ş^?^@^@^C_^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^A^@^@^@à^Å^ßòùOh^P«^Ñ^H^@+'³Ù0^@^@^@°^B^@^@^@^@^@^G^@^@^@^Ø^@^@^@^B^@^@^@Ü^@^@^@^D^@^@^@^@^A^@^@^H^@^@^@$^A^@^@^@^@^@H^A^@^@^@^@^@l^A^@^@
^@^@^@^Ğ^A^@^@^@^@^@´^A^@^@^P^@^@^@Ø^A^@^@^E^@S^@u^@m^@m^@a^@r^@y^@I^@n^@f^@o^@r^@m^@a^@t^@i^@o^@n^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@(^@^B^@^?^?^?^?^?^?^?^?^?^?^?^?^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@&^@^@^@à^B^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^?^?^?^?^?^?^?^?^?^?^?^?^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^?^?^?^?^?^?^?^?^?^?^?^?^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^?^?^?^?^?^?^?^?^?^?^?^?^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@
^@^@^@ü^A^@^@^R^@^@^@ ^B^@^@^@^@^@D^B^@^@	^@^@^@h^B^@^@^S^@^@^@^Ì^B^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^^^@^@^@^_^@^@^@C:\WINWORD\TEMPLATE\NORMAL.DOT^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^^^@^@^@^\^@^@^@THE ALAMO    Donovan Leitch^@^^^@^@^@
^@^@^@Gary Higgins^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^^^@^@^@
^@^@^@Gary Higgins^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@@^@^@^@^@¤0^T 9¼^A^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@@^@^@^@^@À¤Y^Ë·Ş^A^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@@^@^@^@^@¤0^T 9¼^A^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^C^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^C^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^^^@^@^@^S^@^@^@Microsoft Word 6.0^@^@^@^@^@^@^@^@^@^@^C^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^^^@^@^@^B^@^@^@2^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^C^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@Ü¥e^@-À	^D^@^@^@^@e^@^@^@^@^@^@^@^@^@^@^@^@^C^@^@ş^H^@^@y^Q^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@ş^E^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^@j^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^@^@^@^@j^@^@^T^@^@^@^Ô^@^@^@^@^@^@^Ô^@^@^@^@^@^@^Ô^@^@^@^@^@^@^Ô^@^@^@^@^@^@^Ô^@^@^@^@^@^@^Ô^@^@
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Im not really sure if Donovan wrote this as I have only heard him sing it and I have not seen it on any records.

The words are from memory and the chords are my own interpretation of the song. Hammering on and off strings on the F chord will give the required sound.

C                              G           C                                     F                  C
Eight hundred and eighty he challenged the travellers to die,

C                          G                   C                 F                  C
By a line that he drew with his sword as the battle drew nigh,
           F                                       C
Ev^Òry man that stepped over the line was for glory
         F                                C
And he that was left better fly,
C                    G                          C              F           C
For over the line stepped one hundred and seventy nine.

Chorus

F                                                                           C
Hey  at Santa Anna  they^Òre killing our soldiers below
             F                           C
So the rest of  Texas will know,
           G                      C
And remember the Alamo

C G C F C G C

Jim Bowie lay dying his blood and his powder were dry

But his knife had been willing to take him a few in reply

Young Davey Crockett lay laughin and dyin

The blood and the sweat in his eye

For texas and freedom a man was more willing to die

Chorus
Gary Higgins Ohig@ihug.co.nz

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